How faster turnarounds of books—via E and POD—could help readers, writers, publishers and even the big chains like B&N
Doubt that book publishing is a dysfunctional industry?
Then why must writers often wait a year or more for major houses to publish their books? No, edits aren’t and shouldn’t be instantaneous. But after they happen, publishers and contractors should be able to whip out files for P and E versions in weeks and get the books on the racks. Why isn’t this the case?
A big bottleneck is p-distribution, along with the need to create “buzz” and get the sales reps and retailers excited.
So here’s my inevitable suggestion—made after I read Rachel Donadio’s essay in the New York Times Book Review. Why not release an e-edition in advance and use it to create the buzz and help the books reach readers faster?
The noise factor
Yes, I know. It’s harder and harder to cut through the noise, the reason why some houses might actually be spending more time these days on advanced PR buildups, especially in an era when many newspapers have dropped or scaled back their book sections.
But this marketing-related delay may happen at the expense of a book’s timeliness or the freshness and even accuracy of facts in it. E could help resolve such issues and make it easier to peg book promo to news stories. No PR people would lose their jobs: they would simply care more about the electronic news outlets on which more and more readers rely these days, as shown by declining newspaper circulations. What’s more, their houses could use the speed of E to time the release dates more precisely to obtain maximum PR exposure. The actual release of an unauthorized biography about a newsworthy VIP, for example, could wait until the subject next made the headlines, while meanwhile the publicists buzzed away with hints of its contents.
Timing isn’t the only plus here. The size of the audience that a book drew in E could be at least a partial sign of how big the actual printing should be. Certainly the E audience isn’t the same as the P audience. But if a book were enough of a surprise hit in E, a big press run might happen while the public was still excited about the title or at least closer to this optimal time.
One more argument for annotations standards
Granted, I recognize everything is connected—the time spent on buzz-building can be used for additional editing. But the beauty of e-books is that publishers can refine them with much less fuss than with P. Imagine the chance for readers to give feedback and perhaps influence the final results between hard covers. Depends. It’s a title-by-time situations. I’m hardly suggesting that reader polls determine the contents of literary novels that come from the authors’ hearts.
Interactive e-books, however, with forums and blogs happening within them, could help speed up the feedback and improve the quality of appropriate books. This is one more reason for the IDPF to care about details such as annotations standards for .epub.
Keeping B&N and the rest happy
Yet another issue is the reliance of most publishers on the goodwill of the major chains. A problem? Of course. My response would be, “Fix it with money.” Just make new business arrangements with Barnes & Noble and the rest; give them a cut from the E sales, if need be, for example. Remind them, too, of the financial advantages, at the retailer end, of having a better, earlier handle on the reception that the paper edition will receive. For years to come, paper books will still be the real center of the action. So if I were B&N, I wouldn’t sweat the existence of a preview in E. Let the entire book industry work together to use the predictive capabilities of the new technology to help deal with the question of returns.
If nothing else, consider the present and future opportunities for print on demand at retailers of all sizes. POD wouldn’t offer the same interactivity wrinkles that E can, in terms of reader feedback; but it would be one more way to get the books out faster and gauge the potential market for traditional printings.
If the usual suspects don’t act…
While change is always scary, I’d remind the big p-publishers with huge stakes in the existing system that technology won’t stand still. Hungry e-oriented houses—with improved offerings and new platforms to try, such as the Kindle—are eager to step in with Internet-optimized PR and instant distribution.
Photo: CC-licensed and shot by Xdjio.
Related: Novelist using Kindle Store to test his wares for P edition.
Technorati Tags: publishing,book publishing,Barnes & Noble,.epub,IDPF




























February 3rd, 2008 at 6:34 pm
What does POD mean?
February 3rd, 2008 at 11:37 pm
AND…How about keeping readers happy? I have reached the “disgusted with” state with two major publishers. Both canceled the publication of the next books for young, talented, award winning authors with no public explanation or notification, one after promising the book for a year, setting a print date and advertising the page count. For the many fans of the author, it appears the publishers are squashing books that have already been written, because they GUESS (all of a sudden) it won’t be a best seller. Hey, you can’t have a best seller if ALL the books are best sellers.
I don’t want to read the TOP ten percent of the money makers. I want to read what I am interested in. (NO READERS, NO BOOKS PEOPLE.)
What does this mean money wise? Why, while becoming unhappy with print publishers I’ve reduced my print purchases per year by 75% in favor of non DRM ebooks. Hmmm…now I’m disgusted, what will I do?
Wish this rant had made me feel better, but it didn’t. Authors – chuck the print publishers, put a non DRM ebook on a web site and collect your money through PayPal, or whoever. I have a SONY ebook reader…will travel, reading happily.
February 4th, 2008 at 12:20 am
[...] David Rothman over at TeleRead offers a solution to getting your work to the market quicker, whilst still maintaining [...]
February 4th, 2008 at 5:49 am
Can I say E-Arc?
Just another Baen innovation…
February 4th, 2008 at 4:37 pm
Ann & Other Frustrated Readers:
Here’s a somewhat promising sign that publishers might be waking up to the fact that their gatekeeper methodologies for finding new talent are broken: the Amazon Breakthrough Novel Award contest, a sort of American Idol for novelists in which the public’s choice for winner will be published by Penguin Books. The original 5000 entries have been culled to 836 semifinalists, which are now available for the public to judge. Amazon customers can download an excerpt from any semifinalist in the form of a free .pdf Amazon Short, then read it and enter a review. Part of the early judging process involved collecting full manuscript reviews from PW reviewers, and some entrants cynically believe Penguin will select the top 100 and then the top 10 based solely on ms scores provided by the PW reviewers, that customer reviews will have no effect on contest results. However, I think Penguin is wise enough to avail itself of the huge customer feedback database Amazon has built. I certainly hope so, both as a writer and as a reader.
My own comic, hen-lit novel “Adelaide Einstein” is currently in the running, and anyone who liked Olivia Goldsmith’s The First Wives Club will probably like my entry (http://www.amazon.com/o/ASIN/B00124COKM).But if my entry doesn’t sound appealing please consider checking out the other entrants, which can be accessed via the contest homepage (http://www.amazon.com/b?node=332264011).
March 20th, 2008 at 1:59 am
[...] and the ability to create small quantities of whatever it is you’re printing. This blog, at TeleRead: Bring the E-Books Home discusses the “dysfunctional industry” we know as book [...]