TeleRead: Bring the E-Books Home
 Advocating Well-Stocked National Digital Libraries in the United States and Elsewhere

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TeleRead calls for well-stocked national digital libraries in the United States and elsewhere. TeleRead's moderator is David Rothman (dr@teleread.org). For occasional highlights from this blog, join the TeleRead Mailing List.


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Friday, July 04, 2003:
The Italian connection: You can't keep a good e-book format down

Noises from the Open eBook Forum haven't always been easy to decode over the years. Microsoft launched the OeBF with unequivocal promises of a consumer-level e-book format. The present OeB can't make up its mind and has been dilly-dallying despite excellent format work at the production level. Under the presidency of Steve Potash, CEO of OverDrive, which wants to make big bucks off the Tower of eBabel, the OeBF even comes across at times as the Proprietary Format Promoters' Forum. And yet the group doggedly goes ahead at the production level.

Now, alas for the Potashes, a pesky question is arising. What if open-source people successfully took the OeBF-developed production format and ran with an adaptation at the consumer level? OeBF, meet LiberGNU and friends in Italy. LiberGNU has just announced an alliance with EvolutionBook toward the success of the OpenBERG project, aided by the aptly named Project GNUtemberg, as well as Liber Liber. Not sure if I have all the players down right. But here is the word from LiberGNU:

Last 24th of June took place an informal meeting, where Maurizio Patitucci, Andrea Colanicchia (EvolutionBook), Marco Calvo, Stefania Ronci and Ruggero Montalto (LiberLiber) agreed on the priority of having a free (as in freedom) OEB reader ready for use, as soon as possible, in order to show to both e-bookstores and libraries the advantages of the OEB format (as described by Jon Noring in his recent article).
Can LiberGNU and friends topple the Tower of eBabel? Who knows. In the U.S., many obstacles remain, such as the love of some large U.S. publishers for oppressive Digital Rights Management schemes--the anthesis of what OpenBERG is all about. Perhaps the Italian alliance is just thinking "demo" at this point when it comes to the commercial side (although one can see the immediate usefulness for readers of unshackled material like the Free Encyclopedia Project). But that could change. What is clear is that the world won't sit still while the OeBF proscrastinates.


Happy 32nd Birthday, Project Gutenberg!

This Fourth of July isn't just the anniversary of the signing of the Declaration of Independence. It's also the 32nd birthday of Project Gutenberg, the oldest etext publisher on the Net.

In fact, the Declaration was the very first text that Gutenberg founder Michael Hart typed into a mainframe at the University of Illinois for e-publication--on the way to the group's 8,500 texts today, ranging from works of Homer to Tom Swift and His Airship.

Here's the Gutenberg version of the Declaration...and here's a more modern incarnation, courtesy the RaptorBook.org site run by TeleRead CTO James Linden, who is also one of Michael Hart's main format mavens. Many changes are ahead for the Gutenberg site itself, and you needn't be a scholar or Linden-level techie to volunteer and take part in this evolution.

Keep in mind Gutenberg's special place in the world of public domain, the doctrine under which books may be legally reproduced for free once copyrights expire. If no one uses this doctrine, then it will crumble. To support Gutenberg is to help keep the copyright greedsters at bay as best we can. Happy birthday, Gutenberg!


The Fourth of July: Beware of Net-era Tories

Beware of the Tories of the Internet era. Let us honor the Declaration of Independence, signed July 4, 1776, and remember that political, economic and media freedoms are often intertwined. If you don't want cable and phone companies to tell you which Web sites you can visit, then you might appreciate Lawrence Lessig's post from last year--Broadband Wars I and Broadband Wars II. One way or another, the issue of Webs site choice will remain with us for a long time. In this case, surrealistically enough, Netfolks' interests would actually seem to overlap at least somewhat with those of Disney and Microsoft. Simply for business reasons, nothing else, they don't want the Verizons and Comcasts to limit our surfing options. In spirit all the companies mentioned are Tories who value money over our freedom. No evil conspiracies here, just bottom lines first, along with the usual control fixations.

Issues like Web choice are one reason for the establishment of a well-stocked national digital library system in the TeleRead vein, which would be harder than ever for cable companies and other powerful ISPs to block. Do we really want cable systems to favor Random House or Simon & Schuster, say, over an independent publisher's site? I doubt that would happen--I'd hope that the entertainment conglomerates themselves would be sensible enough to understand the downside here. But, given the risks if Verizon and the like controlled our Web choices, it's high time for both a well-stocked national digital library system and appropriate regulations to help discourage such a nightmare. Already Verizon tries to limit our email choices. What's more, even today, you can't set up your AOL account to include a return address without the aol.com (unless you go to the bother of using an auxiliary email program and a server elsewhere via TCP/IP).

Meanwhile we can all hope that a long-range, sophisticated version of Wi-Fi or a successor will eventually free broadband users and small broadband providers from direct or indirect dependence on the large phone and cable companies to reach homes and businesses. But don't count on it. Remember, Wi-Fi and the like exist at the mercy of the FCC--which, like all regulators, can be a most political creature and open to the influence of well-bought congress members. Few beat the telcoms at that game.

Alas, the Broadband Wars are just one area of concern for freedom-minded surfers. The library filtering controversy goes on; and, if we don't thwart the censors now, the same threats could extend to the Net at large, beyond libraries. Likewise copyright controversies continue--with, you guessed it, the usual Tories as the villains: Disney and friends. A Hollywood-bought Congress has let the greedsters pillage the public domain, the Supreme Court has failed to provide relief, and that issue could well be with us for years--in fact, eternally. Given the reliance of democracy on a well-informed citizenry, Draconian copyright laws and especially term-extensions are an insult to the memories of Washington, Jefferson, Franklin and the other signers of the Declaration of Independence. In the aggregate, Washington's mean-spirited words are a reverse Declaration--or maybe a new Stamp Act: vanity law for America's greedy Hollywood elite. Whether you're a citizen of the United States or not, even if you're reading this in Iraq, those matters should be of interest to you in an era of corporate dominance across borders.

(Painting--of the signing of the Declaration of Independence--is by John Turnbull. Parade photo via ArtToday. Copy of the Declaration via the U.S. National Archives and Records Administration.)


Thursday, July 03, 2003:
Psst! Congress may accidentally help promote a Universal Consumer Format for e-books

Gasp! The U.S. Congress is about to encourage the Open eBook Forum to do the right thing and adopt a universal consumer e-book format based on OeBF-developed production standards. This mini-miracle is just that--rather mini, and rather accidental, too. But it still will help the cause.

So what's happened? Well, Congress is about to update the Individuals with Disabilities Education Act, and tucked into the act is a proposal for a "National File Format" (NFF). That term is a tad misleading. No, Section 613 is not saying, "Hey, this is the format publishers must use for the general consumer." Instead NFF is actually a production document format specifically for the needs of the accessibility community. Within two years of the Act's reauthorization, textbook publishers must supply all K-12 textbooks in that format to disability-related organizations such as Recording for the Blind and Dyslexic (RFB&D). From there, the groups will process the material into synthesized speech, Braille and whatever else is appropriate to aid accessibility to the content.

But does an OeBF angle exist here? Yes, big time. Turns out that the U.S. Department of Education, which will carry out Section 613, already has been acting on its own. Late last year it funded CAST to create and oversee the "NFF Technical Panel" to develop the NFF document specification. This panel is loaded with familiar names in the OeBF such as Microsoft and McGraw-Hill, along with disability-related organizations such as the Daisy Consortium, RFB&D, the American Foundation for the Blind, and, yes, CAST. Overlapping names by themselves don't mean much. But here, they do. As a starting point, the panel appears likely to recommend using the Digital Talking Book (DTBook) specification for document markup, which just happens to work very well within the Open eBook Publication Structure Specification. Jon Noring, a leading OEBPS format guru, who, like me, has been fighting for a consumer-level standard for e-books, is ecstatic.

"DTBook is overall a better vocabulary for marking up books than the basic default vocabulary that the Open eBook Publication Structure provides for general use," Jon emailed me. "The Basic OEBPS vocabulary is based on XHTML, which is fine and dandy, and can produce great results when used properly. But OEBPS is extensible and allows other and better book-oriented markup vocabularies, including DTBook. This means that when publishers produce mandated NFF-conforming documents based on DTBook, it will be trivial for them to produce, in parallel, quite high-quality OEBPS Publication versions of them, ready for both direct distribution and for conversion into other e-book formats as needed in the publishing workflow. In essence, the NFF, when enacted (and in my estimation it appears it will be enacted, but one never knows of course), will make OEBPS much more attractive in not one, but two ways. And the OEBPS thus produced will have the added benefit that DTBook-aware text-to-speech engines will be able to aurally deliver the content to the end-user with a presentation quality difficult to achieve with XHTML-based markup."

So, courtesy of the Feds, publishers will be more inclined to use a special e-book vocabulary picking up elements from, yes, DTBook. Indirectly Washington will have made OeBPS more useful than ever as a production and distribution format. Consider textbooks, which are more complex than novels and most other works. The default XHTML vocabulary is not as helpful as DTBook in, say, specifying a document's logical structure (such as indicating subchapters in a "universal" way.) Now, thanks to the Feds, the OeBF members will be encouraged to use these standardized specs. Result? More common use of OEBPS at the production level--and of course a somewhat greater possibility that the specs will end up at the consumer level.

Again, keep mind this is just a small step toward standardization nirvana. For example, the OeBF will still have to grapple with issues such as the need for a standardized "wrapper" (to include not just the actual document but other elements such as graphics). And then there is the pesky matter of coming up with a nonproprietary scheme for Digital Rights Management, which a consumer-level standard will also require. So, yes, the fight is a long way from over. Meanwhile, however, it is a positive that the Association of American Publishers, a key OeBF member, has endorsed the relevant provision of the disability-related legislation now in House and Senate committees.


Wednesday, July 02, 2003:
Latest copyfight: Corbis vs. Amazon.com

"Photography company Corbis Corp. is suing Amazon.com (among others) for copyright infringement and violation of the DMCA; it is seeking damages and injunctive relief. Corbis holds the copyright for a variety of celebrity photographs and does business by licensing these images to its customers." - Yale LawMeme.

The TeleRead take: Keep it up, Corbis! This is a great way of encouraging Congress to go back to the drawing board on the DMCA.


Microsoft updates e-book reading software

Spurred on by the complexities of Digital Rights Management, Microsoft is updating its Reader software. More hassles for users. Wouldn't it be great if nonproprietary format and DRM standards existed, along with better communications between vendors and publishers, and Microsoft had gotten things right in the first place?


Relief for Gemstar owners: New 'librarian' software

Own a Gemstar 1100 or 1150? Do you want a graceful way to load up e-books from HTML, ASCII or other formats that SEC target Henry Yuen and the other Gemstar greedsters wanted you to shun--in favor of their overpriced content?

Well, an annoyed Gemstar owner has come up with a way of doing this. Steve Breen will soon release a try-before-you-buy $30 program, and you can sign up now for notification.

He'll start out with the 1150 in mind (the program won't do .rb files) and move on from there. Gemstar itself has announced a Web-based file conversion service, but it almost surely will be more clumsy to use than the Breen program.

Meanwhile, on our 1100, Carly and I are using a mix of the old Rocket eBook software (for translating formats) and a Gemstar-provided Librarian program (which works with the 1100's USB port). Be great to consolidate everything with one package. Nice going, Steve!

Kind of related: Won't someone buy up rights to the hardware design and free the machines of the restrictions that the greedsters inflicted on them?


Content ain't king of the Net--and what that means for e-books and libraries

Don’t get me wrong--I love books, I love movies, I love music. But in cold dollars-and-cents terms, how much do they figure in the grand scheme of things on the Internet or in the American economy at large? The approximately $39 billion that U.S. consumers pay each year for books--much of it going to middle people rather than writers and publishers--is just a speck in our $11-trillion economy. Especially at a time of mean cuts at local libraries, maybe we’d better see the grand picture and create a TeleRead-style national digital library system paid for with a mix of tax money and philanthropy. We couldn’t get everything online for free. But in the cosmos, the costs are not that gigantic, given the value of shared knowledge—the very stuff on which oppressive Digital Rights Management schemes will wreak mayhem. No socialism here, especially since I’m a capitalist. Just practicality.

I don’t know how Andrew Odlyzko, now a math professor and assistant vice president for research at the University of Minnesota, would view the TeleRead plan. In fact, given his particular economic philosophy, I suspect he would probably oppose it since his mindset seems to be to focus more on costs than on benefits. Still, in recent years, his papers have nicely backed up my premise that just like Hollywood stars, including the biggest of all in D.C., movie lobbyist Jack Valenti, content people can be awesomely swell-headed about their own importance. Ditto for recording lobbyist Hilary Rosen, Ms. RIAA. Odlyzko or an editor has even gone so far as to title one paper Content is Not King. More recently, in The Many Paradoxes of Broadband, Odlyzko alludes to the costs of telecom vs. the costs of music content:

The impractical way for stimulating broadband adoption is to make music free on the Internet. Currently, music file sharing appears to be one of the main drivers behind the spread of broadband. (It certainly is among the main generators of traffic.) Instead of using the law to choke file-sharing, perhaps we should encourage the telecom industry to buy off the music studios… Total recorded music sales in the U.S. comes to a grand total of about $15 billion a year, while telecom spending is over 20 times higher. Moreover, of that $15 billion, only about half goes to the studios. Thus, in the abstract, it might be a wise investment for the phone companies to buy out the studios. This is of course wildly impractical for business and legal reasons, but it would quickly stimulate demand for broadband. (It would also demonstrate that the content tail should not be wagging the content dog, as it too often does in political, legal and business discussions.) A slightly more practical approach would be for the government to enact a compulsory licensing scheme that would have a similar effect. However, given all the concerns about fairness and consensus, it is doubtful that the government could come up with a scheme fast enough to do much good.
Odlyzko, of course, as indicated by the title of his paper, is discussing content costs in a broadband context. He goes on to suggest that a good way to nurture broadband would be to encourage the growth of wireless, including the humble voice variety, which in turn would lead to widespread adoption of broadband wireless, a far, far more promising technology than cable. That’s what he's really driving at.

Just the same, as I see it in a TeleRead context, his message along the way is loud and clear. In the big picture, content just isn’t that huge a cost. Now add that to the other advantages of TeleRead such as stable links and reliable archives. Also consider the possibility of creating an infrastructure solid enough for private philanthropists to support--plan. Have them augment tax money and circumvent the censorship-related limitations of public funding. Do the aforementioned, and the library model, for e-books and very likely for other media, truly makes sense as I see it.


Tuesday, July 01, 2003:
An e-book critic's lament

Shame on me for not pointing earlier to an excellent eBookWeb article by one J. Knight, author of Risen, a supernatural thriller. In the article excerpt below, you'll notice his understandable love of simplicity. Others feel the same. That's why the eTower of Babel and oppressive DRM schemes are costing the industry millions.

I exited the e-Book Experience and went along my way, filling tote bag after tote bag with old-fashioned printed books, getting old-fashioned actual author autographs in real, not digital, ink on tree-slaughtering paper, and wishing that some manufacturer would give us what we want in an eBook reader instead of what they wish we wanted. Like, an eBook reader so simple to use that you don't need a printed instruction book to teach you how to operate it.
Even now I myself can't imagine life without e-books. But Knight is oh so right about the complexities of e-bookdom today. Don't believe me? From one of Risen's Amazon.com pages:
Format: Adobe Reader (System Requirements)
File Size: 1845K
Printable: Some publishers do not allow Adobe e-books to be printed. Read more
Macintosh Compatible: Mac OS software version 9.0 or 9.1. Mac OS X is not currently supported.
Windows Compatible: Yes
Handheld Compatible: No. This title is not compatible with Pocket PCs, PDAs, or other handhelds.
Digital: 347 pages
Publisher: iPublish.com; ISBN: B00005KH6W; 1st edition (May 2001)
Other Editions: Paperback | e-book (Microsoft Reader) | All Editions
Average Customer Review: [Four and a half stars] Based on 30 reviews. Write a review.
Amazon.com Sales Rank: 2,910
If readers' remarks on the Amazon.com page are representative, by the way, one hopes that Knight's work will soon be available again in e-book format.


Monday, June 30, 2003:
Greedsters vs. e-book readers: Beware of stogware

Here's a new term for you--stogware, which blights DVD movie technology now and could hurt e-books in the future, when multimedia counts more.

This neologism, which I'll define in a moment, came to mind when I was trying to play the DVD of Boiler Room, a film about stock-market crooks. Hollywood itself committed a crime against me. The DVD refused to run on on my Dell Optiplex unless I installed a program called PCFriendly. Orwell Land here. This "Friendly" program wasted half an hour of my time, perhaps because I preferred for my firewall to block the software's path to and from the Net. Also, once I installed PCFriendly, my computer couldn't load DVDs as quickly. Drat. My Dell had already come with a good DVD player. But thanks to proprietary encryption schemes, apparently, Hollywood wanted me to waste my hard disk space with a second program. Worse, to be able to play another DVD, I'd already installed InterActual Player, the successor to PCFriendly.

I uninstalled PCHostile and somehow managed to see Boiler Room with the RealOne player, at least after I'd selectively disabled the firewall; but the bad taste lingered. No telling what the greedsters--an apt term, considering that an AOL Time Warner offshoot released the film--had in mind for the innards of my machine. A little stealth here? Privacy-invading programs? At the same time, PCFriendly was taking up 10 megs on my drive if I recall correctly. Combine "stealthy" with "hoggish" and you come up with the term "stogware." That's, ugh, PCFriendly.

Meanwhile, aided by Silicon Valley, the assault on users' present and future machines continues. A Safer System for Home PC's Feels Like Jail to Some Critics is the New York Times' headline over John Markoff's piece on the sleazy "trusted computing initiative." You might think of secure computing as a form of slogware. It'll gobble up computing resources, cripple our machines and along the way be damn stealthy.

The irony is that our jailers, America's stogware promoters, are far from squeaky-clean. Check out the Washington Post's review of When Hollywood Had a King: The Reign of Lew Wasserman, Who Leveraged Talent Into Power and Influence, by Connie Bruck. Reviewer John Anderson, Newsday's chief film critic, says that the late Wasserman "laid waste to a promising infant medium (television) and ensnared politicians of both parties in the film industry web (his legacy includes TV reruns, a performer's participation in profits and arch-lobbyist Jack Valenti). Sidney Korshak, the Man Who Was Al Capone's Lawyer, hardly needs much more of an introduction. Suffice to say, he did a lot of the dirty work, albeit without getting his own hands dirty." The sleaze, as exemplifed by the massive campaign contributions that gave us the DMCA and resulted in Hollywood's increased ability to bully Silicon Valley, continues--setting the stage for DC-blessed stogware.

One of the best antidotes for stogware threat, of course, besides a less buyable Congress, would open, nonproprietary standards for books and movies alike.


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