TeleRead: Bring the E-Books Home
 Advocating Well-Stocked National Digital Libraries in the United States and Elsewhere

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TeleRead calls for well-stocked national digital libraries in the United States and elsewhere. TeleRead's moderator is David Rothman (dr@teleread.org). For occasional highlights from this blog, join the TeleRead Mailing List.


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Saturday, July 10, 2004:
New Convert LIT released for sanity of Microsoft Reader users

Microsoft Reader continues to drive human readers crazy with the related DRM that on occasions can mean Backup Hell and plenty else for victims. A countermeasure, Convert Lit, which allows conversion into more user-friendly formats, is illegal in the States and many other places. Just as news, however, let it be known that Convert LIT 1.8 has been released with bug fixes. Alas, because of a new law, Dan Jackson Software in the U.K. is no longer associated with the project.


Why so few books are e-books compared to the millions already published

One of the glories of well-stocked national digital library systems would be an expansion of the number of e-books online.

Even after decades of digitization efforts, especially of the classics, e-book readers can enjoy just a few of the millions of already-published paper books.

I'd guess that the total number of electronic pick-ups from dead-tree books is well under 50,000-100,000.

A newcomer to the eBook Community List asked for an explanation of the paucity of e-books, and Lee Fyock, a veteran e-booker, shared some useful thoughts with the list. He and I have differed over many things such as Digital Rights Managment and proprietary formats, but I'd essentially agree with his explanations below.

I think it was Heinlein that wrote "when the question is 'why don't they?', the answer is 'money'".

It goes like this: publishers that are putting out a new book have softcopy text with which to produce an ebook. They also have an up-to-date contract with the author that allows them to do this.

For old books, the publisher either doesn't have the rights to make an eBook version of the title, or they would need to send out an old paper copy for scanning, OCRing and proofing. (This costs money.)

Getting the rights to old titles can be tough. Some authors are reactionary and don't want anything to do with eBooks.

Note you'll not find any legal Tolkien, Clancy, Grisham, Rowling or Jordan anywhere--I don't think this is because the publisher doesn't want to make money; I think it's because eBooks aren't worth the time of the authors or their agents, in their minds.

Some agents want large advances for titles that were written twenty years ago and aren't currently earning money. Some authors have passed away and the rights to their works is in limbo; tracking down who has the rights and licensing these can be a lot of legal work and time. (This costs money.)

Basically, turning books into eBooks takes time and money. Most publishers are going after the easy ones: new titles for which they have softcopy and the rights. Backlist titles are on the backburner for most publishers for now.

You also have to keep in mind that the eBook market is relatively small as yet, and therefore doesn't have the large payoff that some paper books do.
Lee is "a fan of companies that are actively trying to get backlist or out of print titles into eBook format. The titles may not earn back the money sunk into them (in eBook conversion costs) quickly, but electronic is forever...more or less." I agree that these efforts should continue. A library approach, however, could significantly speed them up, given less of a need for immediate profits. Meanwhile private efforts could still go on.

The library implications: The relative small number of e-books is one reason why I would not want e-books to be regarded as complete, instant replacments for paper books. At the same time, keep in mind that most paper books have long since been forgotten, that the demand at the popular level just isn't there. Modern books and well-selected classics could satisfy the overwhelming majority of library patrons.

But what about the others, espeically academics? The challenge is to evolve to the electronic format without forever leaving behind neglected but potentially valuable works.

This is one argument, by the way, against the notorious Sonny Bono Copyright Term Extension Act, which, by extending copyright terms, will make it harder for libraries to use the Net to popularize masterpieces that academics may discover.

As Lee has noted, albeit in a different context, "tracking down who has the rights and licensing these can be a lot of legal work and time."


Friday, July 09, 2004:
Sony's other 'e-book' devices?

Sony's other e-book devices"These are Japan-only. Got a Japanese brochure from User's Side (US branch of Japanese tech store) in NYC." - Mike Cane.

Note: Yes, despite the books appearing in the ads for hardware series shown here, there's a major question. "What are e-book devices?" Is a better expression "e-book-capable devices"? Not sure. I myself find that my Sony NX60, picked up used on eBay for $125 with a 320x480 screen, is a great e-book-capable device. And it comes without onerous DRM. Perhaps the best indication of a true e-book device is whether Sony has seen fit to hobble the Japanese version with copy-control technology from hell. Meanwhile big thanks to Mike for the pointer.

Detail: I'll welcome translations of the specifications--especially the display characteristics--and the rest. I'm out of time. In plain English, exactly how is Sony promoting the devices? And what's the DRM situation? Perhaps one of our Japanese readers can offer some thoughts. Email me.


Blind Chance still going strong

David Faucheux, the blind TeleRead volunteer in Lafayette, Louisiana, is still going strong with his audio blog named Blind Chance. The home page of Audioblogger continues to promote the blog offering witty commentaries and book reviews. Especially I liked David's item How a blind woman made a difference in Tibet. The Mid-Illinois Talking Book Center has linked to Blind Chance's free headline service; and other sites, especially library-related ones, are very welcome to do the same.


Preview: How the Sonny Bono Act harms even writers

Sonny BonoThe Sonny Bono Copyright Term Extension Act, supposedly passed to protect authors and other creators, hurts more writers than it helps. Over the weekend--most likely Sunday--I'll tell why.

I'm focusing on the Act because populism may be a little more in vogue now than before, and in populist terms, the Act is poison with its redistribution of wealth from ordinary people to the Hollywood elite and the estates of the rich. Copyright is good, but a little balance, please. Meanwhile:

1. I hope you'll read a just-posted essay--Fewer Americans enjoy good books--but here's how Washington could help--if you haven't already. Print it out and pass it on to potentially interested friends and acquaintances, especially in such fields as education. You might even ask your clergyman to speak out. Bono is not the best news for cash-strapped churches, temples, and mosques.

2. Having read yet another round of paens to vice presidential candiate John Edwards as a compassionate defender of the average American, I'm reaching out to a close friend of his to see if the Senator's copyright policies can't jibe with his populism. As readers of this blog know, the Senator sits on the Senate Judiciary Committee, which oversees copyright. While Edwards wasn't responsible for Bono, there is plenty he can do to oppose it.


Thursday, July 08, 2004:
Wikipedia encyclopedia has 300,000 articles, far more than the Britannica

The English-language version of the Wikipedia encyclopedia has reached the 300,000-article mark and has far more items and words than the Britannica. Anyone can contribute to the Wikipedia--it's a massive collaborative effort using Wiki technology--but entries are subject to editing and vetting. More at Slashdot.


Fewer Americans enjoy good books--but here's how Washington could help

"Read the best books first, or you may not have a chance to read them at all." - Henry David Thoreau's wisdom as quoted in Book Digest--itself now in suspension.

Henry David ThoreauFunny. So many publishers and writers love the Sonny Bono Copyright Term Extension Act, which stretched out copyrights by 20 years past previous terms. But what if the main threat weren't piracy on the Net but people not caring about reading and literature in the first place? This morning's New York Times carries an item headlined Fewer Noses Stuck in Books in America, Survey Finds. Better schools would be the main way to help; but so would the repeal or mitigation of Bono, as well as the creation of a TeleRead-style national digital library system. Bono in time will cost the public billions and discourage the reading of good, free literature, especially on the Net. Without price tags, potential readers can be so much more adventurous. Doesn't anyone in Washington care? In case the copyright zealots doubt the existence of a problem, here is an excerpt from the Times:

The survey, called "Reading at Risk," is based on data from "The Survey of Public Participation in the Arts," conducted by the Census Bureau in 2002. Among its findings are that fewer than half of Americans over 18 now read novels, short stories, plays or poetry; that the consumer pool for books of all kinds has diminished; and that the pace at which the nation is losing readers, especially young readers, is quickening. In addition it finds that the downward trend holds in virtually all demographic areas.

"What this study does is give us accurate numbers that support our worst fears about American reading," said Dana Gioia, the chairman of the endowment, who will preside over a discussion of the survey results at the New York Public Library this morning. "It quantifies what people have been observing anecdotally, but the news is that it has been happening more rapidly and more pervasively than anyone thought possible. Reading is in decline among all groups, in every region, at every educational level and within every ethnic group," he said, calling the survey results "deeply alarming."

The study, with its stark depiction of how Americans now entertain, inform and educate themselves, does seem likely to fuel debate over issues like the teaching and encouragement of reading in schools, the financing of literacy programs and the prevalence in American life of television and the other electronic media that have been increasingly stealing time from readers for a couple of generations at least. It also raises questions about the role of literature in the contemporary world.

The survey also makes a striking correlation between readers of literature and those who are socially engaged, noting that readers are far more likely than nonreaders to do volunteer and charity work and go to art museums, performing arts events and ballgames. "Whatever good things the new electronic media bring, they also seem to be creating a decline in cultural and civic participation," Mr. Gioia said. "Of literary readers, 43 percent perform charity work; only 17 percent of nonreaders do. That's not a subtle difference."
I'm not certain about that last point. Perhaps we're not talking cause-effect here; maybe the same characteristics that make people care about books make them care about charity along the way. Still, the study appears to have made a powerful case on the whole. Specifics:
The survey sample--17,135 people--makes it one of the largest studies ever conducted on the subject of arts participation, and the data were compared with similar studies from 1982 and 1992. In the literature segment respondents were asked whether they had, during the previous 12 months, without the impetus of a school or work assignment, read any novels, short stories, poems or plays in their leisure time.

Their answers show that just over half--56.6 percent--read a book of any kind in the previous year, down from 60.9 percent a decade earlier. Readers of literature fell even more precipitously, to 46.7 percent of the adult population, down from 54 percent in 1992 and 56.9 percent in 1982, which means that in the last decade the erosion accelerated significantly. The literary reading public lost 5 percent of its girth between 1982 and 1992; another 14 percent dropped away in the following decade. And though the number of readers of literature is about the same now as it was in 1982--about 96 million people--the American population as a whole has increased by almost 40 million.

The survey found that men (37.6 percent) were doing less literary reading than women (55.1 percent); that Hispanics (26.5 percent) were doing less than African-Americans (37.1 percent) and whites (51.4 percent); but that all categories were declining. The steepest declines of any demographic group are among the youngest adults. In 1982, 59.8 percent of 18-to-24-year-olds read literature; by 2002 that figure had dropped to 42.8 percent. In the 25-to-34 age group, the percentage of literary readers dropped to 47.7 from 62.1 over the same period.
Especially troubling, besides young people's waning interest in books, are the statistics for Hispanics, the fastest-growing of the major ethnic groups.

Also bothersome is the Pollyannaish attitude of Kevin Star, California's librarian emeritus. He said that if close to 50 percent of Americans are reading literature, "that's not bad actually." Huh? The Times quoted him as saying that "You can get through American life and be very successful without anybody ever asking you whether Shylock is an anti-Semitic character or whether `Death in Venice' is better than `The Magic Mountain." True. But what if millions of American children are growing up without even knowing who Charles Dickens was, or F. Scott Fitzgerald? Forget about Thomas Mann, and worry about the basics. Our national appreciation of literature is diminishing, and to the extent it does, our capacity for common dialogue, whether in politics, business or any other endeavor, is shrinking--especially as we become even more of a multi-ethnic, multi-racial nation. Furthermore, between Bono and the current copyright laws that end the need for registration of copyrighted works, it will be far more difficult to use the Net to popularize forgotten Hispanic and Afro-American writers and make them part of the mainstream.

The Kerry-Edwards team should keep the above in mind if it continues to stonewall people asking for its position on the Sonny Bono Copyright Term Extension Act and other anti-child, anti-Net copyright legislation. What makes Sen. Edwards' silence all the more outrageous is that his lawyer wife--an active participant in the campaign--studied literature at the University of North Carolina and at one point was planning to "teach people to love to read." An MSNBC story reports:
What she says about her favorite writer, Henry James, probably explains the Edwardses' consistently long-view attitude toward an awfully short campaign season: "You've got to have patience, but if you're a reader and you love baseball, you love James; it's a little play here and there, not constant scoring. The truth of most anything is not in some big statement but in small things, and that's what James recognized. That and the fact that we're constantly making moral choices.''
Notice the reference to Henry James? Thanks to Sonny Bono and the damage to free literature on the Net, fewer people will fully appreciate the reference to James-style public domain works in the future. Thank goodness James is free for now.Isn't it time for Ms. Edwards and a librarian type named Laura Bush to get their husbands to respond in deed or at least word to the Bono mess? John Edwards needn't wait until he possibly becomes vice president; he is already on the Senate Judiciary Committee, which oversees copyright. Even if Edwards feels that he can't or won't work for outright repeal of Bono, he would do well to consider a compromise such as the proposed Public Domain Enhancement Act or another possibility, the Walt Disney Text Access Act. Beyond that, for works still under copyright, a well-stocked national digital library system would help, especially if well blended with local schools and libraries. TeleRead, anyone?

(Spotted via LISNews.)

Related: Literary Reading in Dramatic Decline, According to National Endowment for the Arts Survey. You can download a .pdf of the actual study on reading. Also of interest is Patrick Clinton's Book Magazine series called Literacy in America: The crisis you don't know about, and what we can do about it.

Coming over the weekend: The biggest myth about writers and the Sonny Bono Act.


The Librie up close: Some impressions from an eBook list member

Bill Janssen, a researcher interested in e-books, as well as one of the stalwarts of the eBook Community List, came up with an interesting look at the Librie in action:

I've finally got my hands on a Librie, which is sitting here on my desk here. It's slim, perhaps a half-inch thick, and light, about the weight of a paperback edition of The Name of the Rose. The device itself is larger than a paperback book (by about 2 inches vertically and 1 inch horizontally). There's a gray leatherette cover, which flips open--it's attached on the right side of the reader--and has a magnetic (!) catch to hold it to the reader when closed. When you open it, it has a *lot* of buttons, including a full keyboard. There's also a cute little rollerwheel in the bottom button row, in the middle, which you can use to scroll up and down in content lists. The screen is almost as big as a paperback page, perhaps half-an-inch less both horizontally and vertically.

Generally, I agree with the review at http://www.dottocomu.com/b/archives/002571.html.

The screen is sharp black on light silver. Apparently the silver (very light gray) background is deliberate, since white (really, brighter silver) appears now and then in some patterns. The text edges are very sharp, particularly with Kanji characters. I'd estimate the resolution to be at least 250-300 dpi.

The screen seems to have some latency. When you turn a page, you see a black flash, followed by a combination of the previous page (in white-on-black) and the new page, which then quickly settles into the new page. All of this takes about a second or two, I'd say.

The text I'm reading, a Japanese text on Office English, has audio content as well, to teach the reader how to pronounce the English words. The audio is quiet but clear. There's a headphone jack at the bottom to listen in private.

Listening in private is apparently important. A great deal of the population commutes by train to and from work every day. I'm told (ethnographers down the hall from my office happen to be studying Japanese life) that on the subway, one is supposed to turn off one's cellphone, and refrain from using it in "audio" mode--text messaging is the order of the day on the subway. The Librie makes a great reading accessory for those commutes.

In addition, it comes with a Japanese-English dictionary on it. Electronic dictionaries are extremely common in Japan for those who speak other languages, and run about $100 to $300. This ameliorates the $400 price of the Librie a bit. Content is apparently only available in Japanese (and requires a Japanese credit card to purchase?).

It runs Linux internally, and the source code is downloadable from http://www.sony.net/Products/Linux/Download/EBR-1000EP.html.
Bill in the past has been rather skeptical about many other devices, so his liking the Librie is a positive sign. I hope Sony does an American version of the Librie--just so it comes without Gemstar-style DRM that won't even let readers add their own content.



Wednesday, July 07, 2004:
E-book reader with color screen coming from Sharp--complete with DRM atrocities

Sharp ebookSharp is repeating the stupidities of Sony and wants to inflict on the world a DRM-crippled machine for reading e-books.

Unlike the Sony Librie, this one has a color screen.

I'm not sure right now about the display technology and don't know the related specs.

Other bad news, beyond the DRM, is that the Sharp won't reach stores until 2007. But that's a tiny negative compared to the DRM issue.

"...until any of these readers allow us to add our own DRM-free eBooks, they will continue to be amusing but frustrating additions--but not replacements--to regular old paper books," says the Gizmo Web log.

Hmm. I wonder if the Sharp includes such wonders as books that last only 60 days. Whatever the case, it is inexcusable that users can't add their own books, if the report is accurate. What happened to the Good Sharp, the one that gave us the Zaraus with embedded Linux? Is there something in the drinking water in Japan that makes Sony and Sharp so insensitive to the needs of Japanese and U.S. e-book fans alike, not to mention those in other countries? Or more likely just the power and greed of large Japanese publishers? How myopic and forgetful can they get? Spell the key word here, morons: G-e-m-s-t-a-r!

Usual reminder: Maybe the U.S. version of the Sony machine, if there is one, will be better than the Japanese one in the DRM department.


Yo, Edwards! If you hate pesky qustions, then you need to speak up on net.copyright issues

In the May 2003 issue of the Washingtonian Magazine, writer Charles Hurt profiles John Edwards and tells how the Senator was lusting after the very kind of soft money donations that Edwards said he wanted banned by law. The man was a human cash-raising machine. One wonders about possible quid pro quos, including possible compromises of the Net on copyright issues. An excerpt from the Washingtonian article:

I interviewed Edwards at the height of last year's debate surrounding campaign finance reform which he supported. Yet even as he voted to ban soft money, he was breaking records raising it. Of the $5.5 million he raised in 2002, $4.3 million was "soft money" that went to his PAC, New American Optimists, and helped fund the travel and expenses of his nascent presidential campaign.

When I asked Edwards whether he thought he was pushing the envelope (even under the old law) by spending the soft money in a way that advanced his presidential ambitions--to do so directly would have been illegal--he refused to answer on the record. When I pushed, he became petulant, saying the reasoning behind my question was illogical. For ten minutes I pressed, restating the question in different ways. Each time, he professed not to understand.

In the end, he was on the record refusing to sully his reputation by discussing money. Yet it would have been a rare day that he didn't leave the Senate office and glide across Massachusetts Avenue to his sixth-floor PAC office to make dozens of calls asking for the very donations he'd just voted to outlaw.
If Sen. Edwards continues to stonewall on important copyright issues such as the Sonny Bono Copyright Term Extension Act, then this is all the more reason for the press to be pesky. Why is Sen. Edwards describing himself as a "people's senator"--yet refusing to stand up for the same rights that schools, libraries and ordinary people enjoyed before Hollywood political contributors bribed Washington to get Bono and the like enacted? Is it proper for Edwards--especially as a member of the Senate Judiciary Committee, which handles copyright--to remain mute on legislation that deprived American students of the right to read the Great Gatsby from free libraries on the Net? And how about his stands on other copyright matters such as the DMCA? Might this silence just have to do with the $1 million that his PAC received from Hollywood producer Steve Bing? Of course, I'm less interested in explanations than in promises from Kerry-Edwards to work toward more child-friendly copyright law.


Tuesday, July 06, 2004:
Edwards named as VP candidate: Will he now tell why his PAC got that $900,000+ from Hollywood producer Steve Bing?

John EdwardsCongratulations to John Edwards, a North Carolina textile worker's son, who, as the Democrats' just-chosen vice presidential candidate, will ideally remember his parents' blue-collar backgrounds in his feelings toward schools, libraries and copyright policy. This is the time for the self-made Senator, a member of the copyright-related Senate Judiciary Committee, to come clean about why his PAC received $900,000+ from Hollywood producer Steve Bing very early in the campaign during the 2002 election cycle. So far the Edwards people have been mum despite the damage that Clinton-era copyright laws have done to the cause of knowledge in this Internet era.

Of course the past counts less than the future. So far the respective campaigns of Edwards and John Kerry have refused to discuss the Sonny Bono Copyright Term Extension Act, the nastier provisions of the DMCA and other anti-consumer measures. But maybe the new Kerry-Edwards team will take a pro-consumer, pro-freedom-of-speech stand. I'd be far less curious about the past if those two did the right thing now. With Kerry himself having received millions from Hollywood, library education advocates should be asking these questions. Please note tht the Bush campagin has itself accept large sums from Hollywood, but as a percentage of campaign budgets, I'm certain that Democrats are far ahead of the GOP in accepting entertainment cash.

Detail: No Right Wing Conspiracies here. I'm a lifelong liberal Democrat and expect to hold my nose and vote for Kerry-Edwards in November. Meanwhile, however, I'll not let my personal politics prevent me from asking the necessary questions.


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